Comedy in 3 Styles

February is a strange month. Often, it's the dumping ground for films that studios can't quite figure out what to do with. There's usually a romantic-and/or-intended-to-be-sexy-and-risque film around Valentine's Day (last year, that was the godawful 50 Shades of Grey [no, I won't even link to my own rant about it; that's how bad it is] and, oddly enough, a niche filled by Fox's Deadpool this year), but little else of note.

Then there's this year. I've seen three films lately and they were all decent-to-superior comedies. Two were quirky, which probably explains their banishment to the February doldrums, but seek all of these out.

Buffy Bennet in Action

First up, Pride & Prejudice & Zombies. Yes, I know. It sounds ridiculous and it is. But this is a film that knows it's silly and revels in it. When Seth Grahame-Smith added zombies to Jane Austen's Regency comedy of manners, it was unprecedented (it has since spawned a rather bizarre subgenre of classic-meets-monster mashups). Bringing in zombies and ninja training to whist parties int he English countryside, you get Empire-waisted gowns concealing thigh dagger sheaths and a rarefied drawing room discussion of the superiority of Chinese over Japanese martial arts training. It's a fun romp, with some dazzling action sequences. And I especially enjoyed catching that Elizabeth, Austen's independent heroine with the rapier wit, has a name that is also the derivation of Buffy. Yes - Buffy Bennet was fighting the undead centuries ago! In short, a fun, although violent, parody that's worth a rental.

Ah, the Coen brothers. Those quirky talents behind Raising Arizona, Barton Fink, and O Brother Where Art Thou? are back in the theaters with Hail, Caesar!, a film that is a lace-edged valentine to the studio pictures of the 1950s. If you're a fan of Turner Classic Movies, you'll howl through this one. If you're not into old movies, well - here's your chance to learn. Channing Tatum doing Gene Kelly in Anchors Aweigh on cafe tables is worth the price of admission alone, but you also get Scarlett Johansson as a foul-mouthed Esther Williams, and the astonishing Alden Ehrenreich as a singing cowboy who can do his own stunts who is inexplicably moved onto the set of A Place in the Sun. Oh, and there's Tilda Swinton as twin gossip columnists and George Clooney as Baird Whitlock, a handsome, thick-as-a-plank leading man starring in the studio's prestige not-at-all Ben-Hur movie. And Communists - all at the studio featured in Barton Fink, Capitol Pictures. The plot revolves around Josh Brolin, who is playing a studio "fixer" named Eddie Mannix (that was the name of the actual fixer at MGM, by the way) who is going about his day, putting out fires here and there while dealing with his Catholic faith. Faith is a strong element in this film - there's a hysterical segment as Eddie tries to get the official "OK to see" from a variety of clergymen (look for Robert Picardo playing a rabbi in that one) and there's a very subtle subtext about "working in the pictures" as being its own form of faith. Really, even if you don't get all the references, this is a must-see. In that regard, it's a bit like O Brother which takes on layers and layers of meaning once you know it's the Coen take on the ultimate road movie, The Odyssey, but is still enjoyable even if you don't catch all of that.

Then there's Deadpool. For quite a while now, I've been a "make mine Marvel and by that I mean Disney" girl when it comes to Marvel characters. Deadpool was a risk and a big one. But Fox did this one right. Ryan Reynolds is perfectly - PERFECTLY - cast as the wisecracking, nearly amoral "Merc with a Mouth" and Morena Baccarin is wonderful as the always blonde-tipped Vanessa (who will become Copycat and that's going to be interesting), who is bold, brassy, and a match for her true love in terms of raunch. Make no mistake on that score - Deadpool is rated "R" and deserves it whole-heartedly. Please do not take children to this movie unless you're willing to explain any number of sexual references and your kids can handle some graphic, up-close gore to boot. The supporting cast is marvelous and truly - they've done something special with this one. From the cheeky opening credits to the breaking of the fourth wall to the winking at the lack of X-Men in the Westchester mansion (and I hereby nominate this version of Negasonic Teenage Warhead for "Best New X-Man" and this version of Colossus should get special mention for sheer thickness of accent), this film is wonderful for those who like such things. I'm not even a Deadpool fan and I loved it an insane amount.

So - comedy of manners, parody of Golden Age Hollywood, or cartoon raunch. Whatever is your pleasure, it's at the local cineplex. Go now!

A Better Tomorrow

OK, I'm beginning to notice an actual trend and it's a shocking one - girls are saving the world! As a delicious counterpoint to the undeniable game-changer that is Mad Max: Fury Road (click here for my post about that film, although there's muchmuchmuch more to write about it!), I recommend Tomorrowland. Reception for this film has been rather meh, which is a shame, so go see it.

Without giving too much away (and the film isn't perfect), Tomorrowland is the bookend to Mad Max in just about every way. It's also crammed full of Easter eggs, since it's a Disney film and Disney owns both Marvel and Star Wars. Look around the "Blast from the Past" store and you'll catch a lot, including toys from director Brad Bird's magnificent Iron Giant film and John Williams' unmistakable triumphant score from Star Wars. George Clooney is disillusioned, Hugh Laurie is chewing the scenery, and newcomers Britt Robertson and Raffey Cassidy shine. Plus - jet packs!

Tomorrowland is all about hope in the here and now, not in some desolate dystopian wasteland. That doesn't have to be our future; we can change it if we only have the will. Yes, it's a film with a moral and that moral is telegraphed and underlined. Yes, some sequences feel like they really should have been animated (ask and ye shall receive - Pixar created an animated sequence for the film, but Bird thought it hurt the pacing of the overall movie, so it was cut. But the Internet saves everything.) But for me, it works. I read some commentary on the film after I watched it, and one line in particular stood out - "When did it become cool to not care?" Tomorrowland asks us to dream bigger and to do better, and even if it's corny, I just don't think that's such a bad idea these days.

This blog is taking a brief vacation break, but I'll be back mid-June with news and thoughts about all sorts of summer movies at that point. And be sure to keep up with Meet Me at the Movies through the new streaming service! Click here for the latest! And if that link doesn't work for you, go to the Cleveland Community College website at clevelandcc.edu and click on the C19TV link at the top, then pick Meet Me at the Movies from the available options!

Chasing Creativity

This weekend, I saw both The LEGO Movie and The Monuments Men. At first, I wasn't sure how I could link the two; after all, one is based on an incredibly popular toy of interlocking bricks and the other details a seemingly-oddball effort to save priceless works of Western art during WW2. But the link is actually an easy one - both films deal with the human drive to create. And honestly, both films do it well.

The LEGO Movie is the one getting most of the press. It seemed like the film would be an hour-and-a-half long commercial for colorful snap-together bricks, but nooooooo! Go see this movie. It's heartwarming, has plenty to keep both the kids and the adults in the audience plugged in and it has some serious things to say about creativity vs. conformity wrapped in those plastic bricks. A vast array of vocal talent (Chris Pratt, Elizabeth Banks, Morgan Freeman, Will Ferrell, and a host of cameos ranging from Jonah Hill to Bill Dee Williams.  Oh, and be on the lookout for Liam Neeson's "Danny Boy") and a solid story. You can create beautiful things by following the rules, but in order to make your efforts truly yours, you have to be willing be a Master Builder with your life. Not a bad lesson to learn. Brought to you by the creative team behind the first Cloudy with a Chance of Meatballs, you'll leave with the catchy, meaningless pop tune "Everything Is Awesome" caught in your head on an endless loop, but don't blame me for that.

The Monuments Men is based on Robert Edsel's bestselling book and details an incredibly unlikely true story about how a small group of art historians and architects were put together and charged with recovering artistic masterpieces stolen by the Nazis as WW2 was winding down. Now, war doesn't really become less dangerous as it "winds down," and these unusual soldiers weren't spring chickens. But there were committed to their mission, which they saw as no less than rescuing the soul of what we were fighting for in the first place. Hitler, who by some accounts was a deeply frustrated painter, dreamed of establishing the ultimate museum and had ordered his commanders to strip Europe of its artistic treasures and both private collections and national museums were laid bare. (Mind you, only "proper" art would be displayed - to this day, we don't know how many pieces by "degenerate" artists such as Chagall, Kandinsky, Marc, and Picasso were summarily destroyed for failing to live up to the Nazi aesthetic ideal.) I enjoyed this movie quite a bit - there are several scenes that literally moved me to tears. (I think some critics wanted more Indiana Jones and were miffed that they got something more deliberate and thoughtful - don't let that keep you away. This is an adventure story and the ensemble cast, which includes Matt Damon, Bill Murray and John Goodman, among others) kept me captivated.) Art matters. It has to. And, as absurd as it may sound to try to rescue a sculpture while men are dying, it matters that much. George Clooney, who directed as well as starring in the film, understands that the audience needs a through-line, so he focuses efforts on two particular pieces - a Michelangelo statue of the Madonna and Child (click on the pictures to enlarge) and a medieval altarpiece (a story that began before the war and continues to this day. Click here for details!). It's a moving film about the power of art and the human desire to, if not create beauty, at least to protect it from destruction.

So - whether you want to create your own art with a click-click-click or swing a paintbrush across a canvas - there's something for you in movie theaters this week!